ENTRY FOR THE 2022 COMPETITION HAS NOW CLOSED
The 2022 Hastings International Piano Concerto Competition will took place from 24th February- 5th March 2022.
The Competition will return in February/March 2024.
Stage 1 Rehearsal days with HIPCC Accompanists: Tuesday 22nd and/or Wednesday 23rd February
Contestant Reception: Wednesday 23rd February
Stage 1: Thursday 24th to Saturday 26th February
Stage 2: Sunday 27th and Monday 28th Feburary
Semi-final Rehearsals with The Royal College of Music Prince Consort Orchestra, Patron His Serene Highness Dr Donatus, Prince von Hohenzollern : Tuesday 1st and Wednesday 2nd March
Semi-Final: Wednesday 2nd and Thursday 3rd March with The Royal College of Music Prince Consort Orchestra, Patron His Serene Highness Dr Donatus, Prince von Hohenzollern
Final: Friday 4th and Saturday 5th March with The Royal Philharmonic Orchestra.
-Previously received application to the June 2021 competition are still valid. Entrants must confirm they still wish to be considered for the competition by emailing email@example.com
-If you wish to withdraw, please let us know and we will arrange a refund of your application fee.
-If you wish to change your video submission for this application, please email with the link before 1st October 2021.
-Results will be announced in November 2021.
-Entry will reopen for those who could not apply for the June competition. The new closing date is 1st October 2021.
First Prize: £15,000 plus concerto performances with the Royal Philharmonic Orchestra and other concerts/ engagement(s) including the United States of America.
- Second Prize: £7,000
- Third Prize: £3,000
- Fourth Prize: £1,500
- Fifth Prize: £850
- Sixth Prize: £600
- Semi-Finalists who do not reach the final: £150 each
- Orchestra Prize: £500
- Special Prize: £1000 (awarded at the discretion of the Jury).
Engagements may be offered to other prizewinners.
Preliminary Video Auditions :
Entry is by video audition only.
- Solo repertoire only of two or more contrasting pieces from different periods.
- Performance time, including all pauses and breaks: 25 – 30 minutes.
- Video recording must be recorded and dated after 11 May 2019. This must be uploaded with your application. This may include separate video files, but each piece must be unedited.
- Please submit FULL DETAILS for every chosen work on your application form.
- None of this repertoire may be repeated in the second round.
A performance of 28 mins maximum including breaks and pauses to be divided as follows:
Up to 14 minutes playing time of a concerto from List A and up to 14 minutes playing time of a concerto from List B below.
This can be complete movements or parts of each concerto, as long as both concerti are presented.
The Jury reserves the right to request any part of the concerti and to stop a performance if any competitor exceeds their allocated time.
This stage is on two pianos.
W A Mozart Piano Concerto No 9 in E flat major K 271
W A Mozart Piano Concerto No 15 in B flat major K 450
W A Mozart Piano Concerto No 17 in G major K 453
W A Mozart Piano Concerto No 19 in F major K 459
W A Mozart Piano Concerto No 20 in D minor K 466
W A Mozart Piano Concerto No 21 in C major K 467
W A Mozart Piano Concerto No 22 in E flat major K 482
W A Mozart Piano Concerto No 23 in A major K 488
W A Mozart Piano Concerto No 24 in C minor K 491
W A Mozart Piano Concerto No 26 in D major K 537
W A Mozart Piano Concerto No 27 in B flat major K 595
L van Beethoven Piano Concerto No 2 in B flat major Op.19
L van Beethoven Piano Concerto No 3 in C minor Op.37
L van Beethoven Piano Concerto No 4 in G major Op.58
F Mendelssohn Piano Concerto No 1 in G minor Op.25
F Mendelssohn Piano Concerto No 2 in D minor Op.40
F Chopin Piano Concerto No 2 in F minor Op.21
L van Beethoven Piano Concerto No 5 in E flat major Op.7
F Liszt Piano Concerto No 1 in E flat major S.124
F Liszt Piano Concerto No 2 in A major S.125
J Brahms Piano Concerto No 1 in D minor Op.15
P Tchaikovsky Piano Concerto No 1 in B flat minor Op.23
E Grieg Piano Concerto in A minor Op.16
R Schumann Piano Concerto in A minor Op.54
C Saint Saens Piano Concerto No 2 in G minor Op.22
S Rachmaninov Piano Concerto No 1 in F sharp minor Op.1
S Rachmaninov Piano Concerto No 2 in C minor Op.18
S Rachmaninov Piano Concerto No 3 in D minor Op.30
S Rachmaninov Rhapsody on a Theme of Paganini Op.43
S Prokofiev Piano Concerto No 2 in G minor Op.16
S Prokofiev Piano Concerto No 3 in C major Op.26
M Ravel Piano Concerto in G major
J Ireland Piano Concerto in E flat major
C Franck Symphonic Variations M 46
B Bartok Piano Concerto No 3 in E major Sz 119 BB 127
G Gershwin Piano Concerto in F
A Scriabin Piano Concerto No 1 in F sharp minor Op.20
A Solo repertoire performance of up to 30 minutes including breaks and pauses (minimum 25 minutes).
At least two composers must be represented from two different periods.
Concerti are not to be played and repertoire must differ from that presented in the video audition.
12 Semi-Finalists perform a complete concerto with The Royal College of Music Prince Consort Orchestra, Patron His Serene Highness Dr Donatus, Prince von Hohenzollern, chosen from List A.
This will be the same concerto from List A played in Stage 1.
Six finalists perform a complete concerto during two evenings with the Royal Philharmonic Orchestra, chosen from List B.
This will be the same concerto from List B played in Stage 1.
PLEASE READ THESE VERY CAREFULLY
- £100 (UK Sterling) non-refundable
Contestants must be aged between 16 to 31 for the duration of the competition (24/02/2022 – 05/03/2022)
Entry is by VIDEO AUDITION ONLY
Application closing date: 1st October 2021
Contestants must complete their programme with full details and timings. All works MUST have their Number/Title, keys, opus, movements and timings. Composer’s names should be in European spelling.
Contestants offered a place in the competition will be notified by email, and will then be given 7 days to make any changes to programmes.
The Jury retains the right to hear any part of the concerti chosen in Stage 1 and to stop a performance if any competitor exceeds their allocated time.
Current or former students ( of the last three years) of the President of the Jury will not be permitted to take part in the competition. Any other juror who has a student participating in the competition must declare this at the jury briefing and will not be permitted to vote for their own current or former students ( of the last three years). All jury votes will be counted and quantified as the ratio between the total number of votes received per competitor, and the number of jurors eligible to vote for that competitor. A competitor is not considered to be a student of the jury member if they have participated in a masterclass/single lesson/online lesson with them.
All Jury decisions are final and no discussion or correspondence will be entered into.
Contestants may bring their own orchestral accompanist or use an official HIPCC accompanist. Contestants using an HIPCC accompanist will be given a rehearsal time on either Tuesday 22nd or Wednesday 23rd February 2022.
An English biography of 320 characters must be supplied. This must be suitable for printing directly.
Contestants must supply a high resolution jpeg photograph suitable for printing.
Any recording made of HIPCC live auditions or any performances throughout the competition will be and will remain the property of HIPCC and may be used by HIPCC or its partners for the promotion of the competition.
Following the auditions all successful contestants will receive a welcome pack giving details of accommodation, transport, accompanist, etc. Registration takes place from Tuesday 22nd February and all contestants are expected to attend the welcome reception on Wednesday evening 23rd February 2022.
The Competition will provide accommodation with host families for all contestants (bed and breakfast). This is offered to the contestant only and not for family members or accompanists. You may choose to stay in other accommodation at your own expense. Accommodation will cease the day after you leave the competition.
Travel to and from the competition is at your own expense. Some bursaries towards travel may be offered in cases of merit or hardship – please email firstname.lastname@example.org with inquiries.
Major prizewinners are expected to give a recital in Hastings as part of the prize and will be given travel expenses and a token fee.
We expect all prizewinners to make reference to their award in their concert biographies for at least one year after winning the award.
All information is correct at time of publishing.